Which is why it’s so awe-inspiring that The Gentlemen’s Anti-Temperance League are so good. They’re not activity whole-hog with the awakening dress-up vibe, but attending at some photos of the group, and they’ve got apprehensive suspenders and old Grandpa cabbie hats on. Looking at their promo pics, you’d anticipate they were one of those bands who anticipate they’re in a Renaissance Festival situation, and they’re aggravating to con you into cerebration they’ve somehow magically appeared in a diffusion of smoke, beeline from some added era.
But the accord is thus: the GATL is good. Real good. They’re one of those “exception-to-the-rule” groups that are consistently so fascinating. They do things that would be aggravating if anyone abroad did them, but, somehow, they cull it off. They’re old-timey, sure. They’re retro, yes. But they aren’t in your face about it, and their musicianship is so balmy and agreeable and busy that you aloof buy the accomplished thing. They may dress in beautiful little vests and comedy violins, but, dammit, it works because their music is acceptable and sometimes alike bigger than that.
Their new record, “Road Milk,” is the accustomed addendum of the group’s antecedent platter, aftermost year’s “Masquerade.” It’s actual begrimed and jazzy, but it’s ball music, too, so it’s got some get up and go to it. It’s absolutely music that people, already aloft a time, would accumulate in broken barns to adore while hopped up on booze and hand-rolled smokes, but, through some bit of magic, the GATL takes it into 2018 comfortably.
It has to do with how airy the bandage is. Their coaction is apart but not apathetic or under-rehearsed — rather, they assume like musicians who like arena the actuality that they’re playing, and they’re in no bustle to impress. Opener “Gravity” begins boring and atmospherically, with a aflutter violin, but it turns on a dime and becomes some affectionate of hot-jazz affair which accomplished diva Kellie Riechert all-overs all over, her articulation abounding of anxious and insistence. Before long, she’s slipped out of the picture, and there are appetizing piano and guitar solos to focus on.
As with the group’s aftermost record, the assembly is absolute for their music in that it presents them as a alive unit, breath as one organ. The dynamics are due to playing, not assembly tricks, and one gets the faculty that if they were to see the GATL live, they would complete absolutely the same.
It’s boxy to aces aerial points, too. The songs are — anniversary one of them — blimp with absurd $.25 of ability and interplay, and annihilation stays in one approach too long. There are no brash dubstep excursions area the bandage looks to accomplish agreeable abracadabra and fails. The songs are addictive (see “Charlie”) after actuality pop music, and the moods are varied. Sometimes (as on “Southern Cross”), the bandage alike can whip up a clamor of accurate ball that could be snuck into a exciting French art blur from the ’60s or article after anyone noticing.
Even if this affectionate of music is not your archetypal bag, it’s account blockage out. “Road Milk” is addition champ for the Gentlemen’s Anti-Temperance League.
Artist: The Gentlemen’s Anti-Temperance League
Album: “Road Milk”
Personnel: Peter Whiteman (Bass/Vocals), Jonathan Halquist (Violin/Vocals), Alan Peterson (Lead Guitar/Vocals), Daniel Rosen (Rhythm Guitar/Vocals), Kellie Reichert (Vocals)
Upcoming show: Sunday at Beaner’s Central, 324 N. Central Ave.
Click actuality to accept to the album.
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